Sonja kristina

Sonja Kristina Sonja Kristina (ex-Curved Air): Sonja Kristina

Sonja Kristina Linwood, bekannt als Sonja Kristina, ist eine englische Musikerin. Sie ist Sängerin der Gruppe Curved Air. Sie war von 19mit dem Police-Musiker Stewart Copeland verheiratet, mit dem sie zwei Söhne hat. Sonja Kristina Linwood, bekannt als Sonja Kristina (* April in Brentwood​, Vereinigtes Königreich), ist eine englische Musikerin. Sie ist Sängerin der. Entdecken Sie Veröffentlichungen von Sonja Kristina auf Discogs. Kaufen Sie Platten, CDs und mehr von Sonja Kristina auf dem Discogs-Marktplatz. Sonja Kristina. Gefällt Mal. PLEASE SHARE This is the official page for Sonja Kristina. MASK (Sonja Kristina and Marvin Ayres). californiawineclub.se: Kristina, Sonja – Sonja Kristina jetzt kaufen. Bewertung, Sonja Kristina. Pop, Pop international, Import-Gbr.

Sonja kristina

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But once it starts, I am in the zone and focused. But when I am offstage I am not particularly sociable. But I am fine in one-to-one situations.

I would have to mention Buffy Sainte-Marie, who was the first singer who wowed me. I learned several of her songs and would perform them at folk clubs alongside my own.

I also loved Sandy Denny. What both of them have in common was being powerful and passionate, which was different to many other twee female singers back then.

Yes, I did learn a certain amount at drama school. But in Hair , we learned to use our energy to fill the space, to trust one another, while relating truthfully as people.

We were also encouraged to be spontaneous, and to leave everything of ourselves on that stage. When you were in that production, did you see yourself going in a more theatrical direction, as opposed to being in a band?

Oh, no. I was still into singing at the drop of a hat. I never thought musical theatre was for me. You were involved with The Troubadour at a young age.

Did this teach you about the business side of the music industry? I was 19 when I ran my own night at the club.

But I did it through serendipity and intuition rather than hard business acumen. For instance, one day I ended up chatting to someone on the tube and it turned out he did lights.

So I got him along to do the lights at The Troubadour. That was the way it all happened. I also had good friends like Al Stewart appearing.

Overall it was a very successful time, but I was deeply in love with the hippieness of it all, rather than learning about the music business.

Dave Cousins was — and still is — a friend of mine. So, when Sandy left the band, he asked me to do a gig with Strawbs. But after that they decided not to get in a vocalist, as it was a lot easier for them.

I did a few shows with Picadilly Line, who went on to change their name to Edwards Hand. We even got to do a gig at The Marquee Club in London — that was a highlight.

They had some really nice songs. I play basic chords on the guitar and can also play melodies on piano, which is useful when I give vocal lessons.

I wish I could play the guitar better, and would love to find the time to improve. When you joined Curved Air, were you at all intimidated by being in a band with Darryl Way and Francis Monkman, who were classically trained?

Not at all. The fact they were so well musically trained made no difference to me. I liked their songs, and also the fact they were keen for me to write lyrics to fit.

I love working with words. In general, I am not easily intimidated or overawed by people or situations. All the members of Curved Air lived in a London flat together for a few years.

That must have been chaotic! No more chaotic than living with a family. Most of the time we were kept busy rehearsing, touring or writing.

It was natural for me to bond with everyone, and so had no problems getting along with everyone.

I suppose in a way I did. We did Top Of The Pops , and had a car sent for us. But I was used to this, because I made TV appearances before on a folk music show, so was used to that sort of treatment.

Being on a show like Top Of The Pops was fascinating, because of the way the audience and the bands interacted.

It was like watching natural history in action! I suppose it was intriguing. It was certainly strange to have all these young boys adoring me.

But part of performing is to relate to the audience, to reach out and touch them. I was never afraid or worried about doing that.

I would use it to get the my energy levels right up, and that was a great way of preparing. Simple, but effective. That never bothered me — or them for that matter.

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Sonja Kristina Video

▶Curved Air Back Street Luv New Brighton Fab 17 4 2015 YouTube 360p Finden Sie perfekte Stock-Fotos zum Thema Sonja Kristina sowie redaktionelle Newsbilder von Getty Images. Wählen Sie aus erstklassigen Inhalten zum. S O N J A K R I S T I N A THE ENCHANTING SONGSTRESS WITH PROGRESSIVE ROCK LEGENDS C U R V E D A I R At 15 Sonja Kristina was studying. Sonja Kristina Curved Air, Women In Music, Heavy Metal, Punk, History. Curved Air Feat Sonja Kristina. Robin 2. Sonntag, at Dieses Ereignis liegt nun in der Vergangenheit. - Curved Air Feat Sonja Kristina at Robin​. Die CD Sonja Kristina (ex-Curved Air): Sonja Kristina jetzt probehören und kaufen. Mehr von Sonja Kristina (ex-Curved Air) gibt es im Shop. Sonja Kristina "Please retry". InCopeland founded the I. Besides, the boys were busy hanging out with girls, so they had their own situations to deal with. In the U. This CD again shows us the fans what a beautiful and sensual voice Sonja has. I do, yes. Black bald pussy was natural for me to bond with everyone, and so had no problems getting along Xlxx video everyone. AllMusic relies heavily on JavaScript. Sonja kristina

That was to assembly gatherings. Oh yes. When I was trying to learn a tune a day my dad would give me a shilling for every one I succeeded with. That was his idea, not mine.

My mum would sit and listen to me reciting poetry and extracts from Shakespeare when I needed to do that for any exams. I have tapes of her singing, which were done from very scratchy recordings.

And my dad was once an amateur puppeteer. I have two brothers, six and eight years older than me. That meant they had moved out from the family home when my dad had a stroke when I was So I had to visit him in hospital on my own, sitting in a dark car park trying to do my homework.

Around the same time, my mum was hospitalised with kidney stones. Not really. Onstage I do get a rush, which gives me extra confidence.

I am nervous before a performance. But once it starts, I am in the zone and focused. But when I am offstage I am not particularly sociable. But I am fine in one-to-one situations.

I would have to mention Buffy Sainte-Marie, who was the first singer who wowed me. I learned several of her songs and would perform them at folk clubs alongside my own.

I also loved Sandy Denny. What both of them have in common was being powerful and passionate, which was different to many other twee female singers back then.

Yes, I did learn a certain amount at drama school. But in Hair , we learned to use our energy to fill the space, to trust one another, while relating truthfully as people.

We were also encouraged to be spontaneous, and to leave everything of ourselves on that stage. When you were in that production, did you see yourself going in a more theatrical direction, as opposed to being in a band?

Oh, no. I was still into singing at the drop of a hat. I never thought musical theatre was for me. You were involved with The Troubadour at a young age.

Did this teach you about the business side of the music industry? I was 19 when I ran my own night at the club. But I did it through serendipity and intuition rather than hard business acumen.

For instance, one day I ended up chatting to someone on the tube and it turned out he did lights. So I got him along to do the lights at The Troubadour.

That was the way it all happened. I also had good friends like Al Stewart appearing. Overall it was a very successful time, but I was deeply in love with the hippieness of it all, rather than learning about the music business.

Dave Cousins was — and still is — a friend of mine. So, when Sandy left the band, he asked me to do a gig with Strawbs.

But after that they decided not to get in a vocalist, as it was a lot easier for them. I did a few shows with Picadilly Line, who went on to change their name to Edwards Hand.

We even got to do a gig at The Marquee Club in London — that was a highlight. They had some really nice songs.

I play basic chords on the guitar and can also play melodies on piano, which is useful when I give vocal lessons. I wish I could play the guitar better, and would love to find the time to improve.

When you joined Curved Air, were you at all intimidated by being in a band with Darryl Way and Francis Monkman, who were classically trained?

Not at all. The fact they were so well musically trained made no difference to me. I liked their songs, and also the fact they were keen for me to write lyrics to fit.

I love working with words. In general, I am not easily intimidated or overawed by people or situations. All the members of Curved Air lived in a London flat together for a few years.

That must have been chaotic! No more chaotic than living with a family. Most of the time we were kept busy rehearsing, touring or writing.

It was natural for me to bond with everyone, and so had no problems getting along with everyone. I suppose in a way I did. We did Top Of The Pops , and had a car sent for us.

But I was used to this, because I made TV appearances before on a folk music show, so was used to that sort of treatment. Being on a show like Top Of The Pops was fascinating, because of the way the audience and the bands interacted.

It was like watching natural history in action! I suppose it was intriguing. It was certainly strange to have all these young boys adoring me.

But part of performing is to relate to the audience, to reach out and touch them. I was never afraid or worried about doing that.

I would use it to get the my energy levels right up, and that was a great way of preparing. Simple, but effective.

That never bothered me — or them for that matter. We had no inhibitions. I was very comfortable getting undressed in front of them.

You were in a relationship with Stewart Copeland when you were both in Curved Air. Did that cause friction with the other band members?

No, it did not. I think the guys in the band had already gotten used to me being involved with someone from a touring party. Everyone was very cool about that, and there was never a sign of friction, so when Stewart and I got together, I never expected any problems.

And there were none. Besides, the boys were busy hanging out with girls, so they had their own situations to deal with.

You have always come across as assertive and confident. Is that the real Sonja Kristina? Do you think I am assertive and confident?

I have been told by some people that I can come across as being very cold. As I said earlier, I am very comfortable when dealing on a one-to-one basis with people.

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Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip.

Romantic Evening Sex All Themes. Features Interviews Lists. Streams Videos All Posts. Track Listing.

Sonja Kristina. Devil May Care. Melinda More Or Less. Man He Colour. This Is Not a Sanctuary. Colder Than A Rose. If This Was Love.

Sonja Kristina Video

▶Curved Air Back Street Luv New Brighton Fab 17 4 2015 YouTube 360p

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